1682 - 1764 English painter. He probably received some instruction from Jan Wyck in the 1690s, and he was possibly patronized from an early age by the aristocratic households of Beaufort and Coventry (as was Wyck), perhaps while working as a page to Lady Anne Somerset at Snitterfield House, Warwicks. However, there seems to be no real evidence for this save his early painted view of the house and the family's later acquisition of many of his works. Joseph Farington saw a painting of Diana and the Nymphs (1707; untraced) at Antony House, Cornwall, but Wootton's earliest extant dated work is the horse portrait Bonny Black (1711; Belvoir Castle, Leics). By this time he had begun to establish himself in London, having moved there before his first marriage, to Elizabeth Walsh, in 1706.   Related Paintings of John Wootton :. | A View of Henley-on-Thames (mk25) | The Shooting Party | Mr John Ward 6th Baron Ward | George II at Dettingen | George III's Procession to the Houses of Parliament (mk25) |
Related Artists:
DUPLESSIS, Joseph Siffrein
French Painter, 1725-1802
William Glackens
1870-1938 William Glackens Galleries William James Glackens (March 13, 1870?CMay 22, 1938) was a U.S. realist painter. Glackens studied at the Pennsylvania Academy of the Fine Arts and later moved to New York City, where he co-founded what came to be called the Ashcan School art movement. This group of artists, dubbed by the press "the Eight Independent Painters" or The Eight, chose to exhibit their works without pre-approval by the juries of the existing art establishment. He became known for his dark-hued paintings of street scenes and daily life in the city's neighborhoods. His later work was brighter in tone, and showed the influence of Renoir. During much of his career as a painter, Glackens also worked as an illustrator for newspapers and magazines in Philadelphia and New York City.
Marten van Cleve
Flemish, 1527-1581,Brother of Hendrik van Cleve III. His presumed date of birth is derived from a document of 2 April 1567 in which he declared his age to be 40. In 1551-2 he became a master in the Antwerp Guild of St Luke and, according to van Mander, followed his brother into the studio of Frans Floris. If this is correct, it was probably c. 1553-5, for motifs drawn from Floris's work appear in Marten van Cleve's paintings executed during these years. Marten married Maria de Greve on 7 January 1556, apparently setting up his own studio at about the same time. Apprentices are regularly recorded from 1558 onwards, and it is probable that his own sons, Gillis II, Marten the younger, Joris and Nicolaas, also worked in the studio. Throughout the 1560s and 1570s Marten van Cleve's workshop was very productive, but the majority of works painted consisted of copies of his own originals. Van Mander's statement that the artist collaborated with a number of landscape painters, including his brother Hendrik III, Gillis van Coninxloo III, Gillis Mostaert and Jacob Grimmer, is confirmed by 17th-century inventories.